Look what you’ve done, after countless hours coding instead of sleeping. Years of holing up in the bedroom and missing brunches and friends and wedding planning and weekends. Look what you’ve done.
And I, no longer a master’s widow, or the graduate student’s wife, have the best spot, by your side. The best view of the beautiful life you continue to create for us. I am so proud of you and this masterful achievement. A 4.0 from Harvard University. You did it, my love!
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It’s been a week since we landed stateside and I’m still looking for the right words.
What is the word for going off the grid with your favorite person? For sitting in the grass in Kensington Park, walking over London Bridge to get to Borough Market, sharing afternoon tea. A Full English on the cutest street, Sunday Roast. Theatre on the West End. Tennis on grass and clay. Biking around the Colosseum, running up the Spanish Steps, making deals with the Trevi Fountain. The Amalfi Coast winking at you with its deep blue eyes, spying Mt. Vesuvius in the distance from Pompeii? It’s the elusive whatever-that-is that I’ll keep trying to recapture, my whole life long. (Or, a week in the Eternal City with my eternal love ) Looking for pithy sayings to decorate my letterboards this fall, I came across this Oscar Wilde one: And all at once, summer collapsed into fall.
I feel like I, too, have collapsed into fall. The series of unfortunate events that devolved into my very favorite season have turned all the scarves to bandages. I suppose it's lucky that leaves can become blankets, rain can be cleansing, and pumpkins can carry candles. The louder you scream, I matter into a void, the further it reverberates. The longer and fainter the echos get. Until, merely anemic whispers, you may feel like you're screaming but your mouth opens and closes and all that's left of your, once, furtive cries, is silence.
Bleeding. Unending. Empty. When I was a child, I believed I was the protagonist in my own story. And, even though it often felt like I had no control, I dreamed of a time when I would be able to grasp at the reins of my own story, untether my life from lives that weren't mine, and pave my own way. Those are a lot of different metaphors, I think, but they all look like the first real stage of the hero's journey. And, after decades as Dory in Finding Nemo, I was finally going to be Dory a'la Finding Dory. Finding me. Finding my way. I'm proud to say I did. It took my longer than my contemporaries--we are all given a lot in life--but I did it. I struggled with normal human behaviors and still think back to my most awkward growing-pains and visibly shudder. But I've learned from every choice, every strange behavior, and every miscalculation. And, for that, I am grateful for how miserably self-aware I am. Grateful for the nights I dissected three minute conversations until three a.m. I'd like to tell you that I never make the same mistakes twice but that would be a farce. I am only human; constantly growing changing, evolving, asking questions...exploring the very depths of who I am and how I want to be. This, I feel is a gift. Wide-open, thin-skinned, doing the best I can. Lately, I've been hiding from myself. Fully aware, as is my curse, that I am no longer the person I planned to be. That I took a miss-step, lost my footing, and lost my spot on the hero's journey. Fairytales end when the princess finds her prince. They don't teach young, aspiring princesses that they are only as untethered as their glass slippers. You get older, you make pro/con lists, you make promises, and you take the reins you worked so painstakingly to unshackle from decades of heartache and latch them to a new life. A life you chose. A life you promise your feeble heart is built like you imagined. But what if it isn't? Are we just kidding ourselves to imagine, for a second, that we have the power to steer our own ships? Is it all a big cosmic joke that we are doomed to relive our traumas through the eyes of another? Do years of therapy just prepare you to see patterns but have no control over how to end them? I always thought I would build the life, the family, I deserved. I wrote it in my vows. I etched it into my palm like lifelines. And as the world I thought I held in my hand (the whole wide world, like the nursery rhyme) And so now I ask the void, the same one I have yelled into my whole life through, is this all that I am? Collateral damage for generational trauma? When you're young, you seek the praise that good girl provides. The warm space away from bad where after-dinner-cookies, and picking -out-a-new-doll, live. It strikes me, in hindsight, that a lot of people shed that addiction to gold-stars with childhood: for people who weren't me, adolescence brings pimples, bad hair, awkward metallic first kisses and the opportunity to shed good for something more exciting. I didn't have time to try personalities like 90s slap-bracelets--or at least I never felt like I did--so I picked the path of least-resistance. Good. But good, now that I'm older and still struggling to find my inner-way, wasn't good enough. What I'm learning in therapy is how much our childhood informs who we are today---and who we are, at our most conflicted. I can point to the moments where I stood frozen, unsure what to say that would make everyone happy so I said nothing at all. Or when I would share my notes during a debate and wait for someone else to make the points that were most controversial. Just last night, I couldn't fall asleep; too busy revisiting a friendship lost eight years ago. The good girl who can't forgive herself for her trauma response. The girl who ruminates on every moment she didn't speak her mind (and every moment she did). I find myself wondering what I could have been, if I hadn't chosen good. Because, let's face it: being good has taken more than it has given. Being good has been living under a magnifying glass of my own design; one eye darting above me like a raincloud. Being good is synonymous with exhausted and defensive and afraid. Just the same, the pressure of being good destroys whatever foundation you thought you were building. A home cannot be built on gold stars; when you spend all your time trying to be good you miss the opportunities to try funny, afraid you might offend someone. You miss dangerous, for fear of making a mistake. You miss angry because it's much easier to blame yourself. You miss selfish, for obvious reasons. You miss human for fear of being a burden or because you just want everyone else to be happy or so no one will judge you. You believe if you are small, unassuming, and good enough, you won't be a problem. As if good is a means for control. I think you hope good makes you invisible. But you are still carbon-based, still breathing and invisible doesn't last (the desire or the superpower). If good is the absence of bad, you are only as successful as the bad you keep at bay. And so you don't make problems for others but you surely build problems for yourself. Being good bottles up and turns into emotional-delay, resentment, disappointment, regret. It turns into self-sabotage and hurting the wrong people. And, mostly, hurting yourself. My husband tells me nice is boring. He's not wrong. But it's what I was taught to value. Nice was safe. I sought out nice people and aimed to be one. And, when I failed (when I was wrong, as we sometimes are), I wouldn't know how to get back on track. I would flounder: confused yet determined, expecting that the issue was me. I had failed at being good enough. I hadn't learned how to aggressively advocate for myself. I hadn't learned that giving up your seat didn't always make you noble. I didn't understand the value in putting my own oxygen-mask first. Good is the fairytale ending. It's a fairytale principle: Princesses of yore would sit around aimlessly, slaves to their circumstances, until a godmother or dwarves with baser instincts (angry, sleepy, dopey) would advocate for them. And they would be given permission to follow their bliss, an endless stream of luck, and a Prince Charming who would love them (all of them, somehow, all Princes' named Charming). The obvious conclusion is that good is supposed to earn you points. Good is supposed to make for good outcomes. But no one else is keeping score. And so, if I have a daughter, I won't use good as praise. I will hope I have created a safe enough space for her to be all of the other things you get to be, when you let go of the score card, and all the gold stars, and slip on an adjective that fits better. Fall feels different, this year. An impenetrable orange. A Saturday in Boston and a Sunday building a pantry from scratch, with my love. Nights walking through the Old Rez, hand-in-hand, in sweaters and picking out pumpkins at Wilson Farm.
Our home is starting to have that perfect lived-in quality, where the wood molds to the shape of your feet and the lights see you coming. Where the staircases start singing and the kitchen starts to riddle off your grocery list. As if to say we belong here. As if to say the walls have been here since the Revolution and we can start our own revolution in the living room. We sign contracts, each line of our pen another root we choose to lay. We build routines and get our butts on the Peloton. We drive on the expressway and paint-by-numbers; the trees flirting in yellows and burnt reds. It is too beautiful. Baked goods to neighbors and feeling community brewing, beautiful. Filling the squares on the calendar with dates and friends and forever, beautiful. And so it begins, as the other chapter ends. But as the beginning and the always blur against autumn-eyes, we will continue to shape all that comes next. Oh, October, you are such a chameleon. Last year, you gave and you took away. This year, you give with both hands and, I know, I clutch them too fervently. Grateful as ever for the kind of sunset where stars peek from behind their bedtime stories and the cresent of the moon flips into a smile. This October, a year after our wedding, has come with more changes than I can hold in my hands. I remember our wedding in flashes; light and dark in an unending wind spiral. For all intents and purposes, last October saw the whole world fall. And, as the life we had tried so hard to build crumbled around us, just as it was beginning, I desperately grasped onto this invisible hope. Hope that we would survive the vulnerability of barren trees. Hope that there would be a time beyond the deepest sadness I have ever known.
And now, a year later, I write about the year that's past with a little more clarity--albeit a forever heartache. We talk about how lucky we are, with a hindsight that shackles our legs to the ground, as if--after the year that tried, in vain, to break us--our mere survival is a victory. We know, now, how to do the hardest things. A team. A pair. A partnership. But we never got that newly-wed phase. We never got to rest our heads, relax our shoulders, and lean into one another. Instead, the year that followed our wedding was full of landmines. So much so that the breaking heart I was a year ago would never believe where we are today. In a little yellow house. The happiest house in all the land. The magic of the little yellow house is domestic bliss as husband calls it. It's that feeling of being newly-wedded as we unpack unopened wedding gifts, hang photos, and create new routines. It's a second chance at the beginning we always imagined. The little yellow house is my heart living out loud: giving my husband the office where he will do amazing things, building a music room, filling the kitchen with an island and The Weepies. The little yellow house has two staircases and a laundry machine--a deck wide enough for a grill and a little shed large enough to hold a million dreams. This feels like the place it all begins. Where the office can become a nursery, the deck can host parties; where we can dance in the kitchen without fear of bumping into walls. And so, these changes, an embarrassment of riches, fall through my fingers like the rainbow that greeted us at the Massachusetts border; gift upon gift upon gift. The little yellow house does, in its own way, return to us a beautiful October full of orange-turning trees, giant stars, and the smell of petrichor so sweet it could bring a city girl to tears. And we begin again. Though we never ended. Again. A full rotation on its axis. Spinning madly on. Right back to October. And onward, now. Dear NoLa,
You really are the big easy: our smiles were easier, our hearts were lighter, our bellies fuller. Thank you. Dear Moana, You know who you are; who you truly are. Dear Apartment, Goodbye. Two years, an open floor-plan, a gas leak, the ceiling falling, dinner dates, rooftop adventures, projector movie nights, the annual quarantine talent show, a zoom marriage, a new business. To a million stories. Dear Mama, Thank you for pina coladas and pool parties. A Fourth of July we'll remember forever. We are so lucky to have you. Dear New York, It has been a decade: 10 years of finding and recreating dreams, too many odd jobs, learning about myself, making forever friends and letting friendships go; college, grad-school, teaching, learning, Columbia, playwriting, 54 Below, trains, cupcakes, Harney & Sons. Broadway. Getting married, weekends away, walking for donuts, cardigans. You will always hold a special place in my heart as the one who solidified me in this form (as the person I am). Dear Lindsay, Hands up in the backseat of the convertible with you, reenacting The Perks of Being a Wallflower was beyond my wildest dreams. Infinite. Happy 30th birthday, friend. Dear North Carolina, You were sweet, sunflower-filled and so different from how remembered you. But you were also cottages and cute streets, and our first musical in a year-and-a-half. You did not become, for us, what we had envisioned (after looking for apartments and getting jobs) but you were a reminder of all we are doing to find our way, to stay the course, and to love one another. Dear Friends, You make sense of the nonsensical. You make days fun, restaurants easy, find the twenty-five cent martinis and make galavanting in the middle of all the bright lights as sunshiney as ever. Dear Drama, We are burying you. Like Carl Jung says, we don't solve our problems, we get bigger than our problems. And we are bigger than all of this. Dear Epcot, Around the world in 29,000 steps, with dear friends and big eyes. What a wonderful world. Dear Final Week of Summer, Who knows what you have in store but---ready or not, here you come. seattle, 2017.
the last stop on the onward now tour. we've spent two months driving from new york to get here: eight states, fifteen shows, one car-robbery, seven acts of kindness, and we made it. to the top of the space needle. as the elevator door closes, you turn to me and say, i can't wait another second. marry me? it takes 41 seconds to get to the top of the observation deck but we wouldn't know because we haven't stopped kissing to breathe. as the elevator doors ding open, i say yes. we have an itinerary full of planned activities and a sushi date on the agenda but we hop a ferry across the puget sound to olympic national park and find ourselves in the middle of hoh rainforest. we also explore the westernmost and northwesternmost points of the contiguous united states, bringing stones from both points to connect the points, like we've connected our hearts, ourselves, our homes. First thing's first, I'm an idealist.
I paint my nails in stardust and read my favorite books until their spines have ripped pages from each vertebrae; dress my walls with more promises than I've ever been taught to paint. I hold gulps of air in my cheeks for the sunrise. Chocolate cake, sunflowers...anything breathtaking. I like to be prepared. I wore a purse on the first day of teaching. Filled it with too many expectations. It was too heavy for my commute: When I put it on the ground by my feet on the C train, I heard them whisper calm down to one another, not knowing what the words meant but hoping it would halt the bouncing. I packed my bags to the brim but light enough to keep flitting from daydream to daydream. Threw my hands out windows on the Pacific Coast Highway just to know what it would feel like to fly. Played Never Have I Ever in an Irish hostel where every brick and bedframe was, too, once never. Etched reminders, like mantras, into outstretched arms hoping this pain would be the last--that each pain would be the last. I wrote promises into a paper ring, in a field of trees whose leaves danced to the key of falling. The air smelled of impending rain but Mother Nature waited until we had said our vows; a courtesy not shared by all mothers. The disappointment these hands have held can be whittled down to nothing with a biting tongue and firm mallet but we are all still piecing together the parts of ourselves we are trying to protect; the rubble left after the hurricane. I am the daughter of honeycombs and dragons. Everyday we decide who we will be and how we will get there. Everyday. We decide. |
This is Me:Hi! I'm Melissa. I'm the girl with her hands in her journal. Married to my best friend and planning a lifetime of adventure! Archives
June 2023
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